If a tree falls in the forest and there is no one there to hear it, does it make a sound? Much like the solitary falling tree, I strive to create a presence in my work that is unseen and unheard, but rather felt, without painting actual living bodies. My paintings depict abandoned buildings, drains, sewers, and tunnels, as these places are what I enjoy exploring in my free time. Oil is my medium of choice, and with it I use delicate brush strokes, creating a feeling of quiet reverence over celebration. I choose to work with a contrast of muted and subtle vibrant colors, attempting to create a feeling of a fading world from the present to decades long in the past.

My work alludes to the passing of time which plays a central role in the natural decay of architecture. Different objects are highlighted to convey this idea. Light is also crucial to my paintings because it marks a moment in time, and begs the question, "What is another day to these places?" I feel most at peace when wandering long abandoned hallways and tunnels, and I hope that my paintings carry the same meditative quality. I believe that a tree does make a sound when it falls, just like I believe forgotten spaces carry their own presence, memories, and emotions.